A brand new portrait of the Princess of Wales is set to grace the cover of the upcoming edition of Tatler magazine, aiming to pay tribute to her courage and grace.
However, the artwork has stirred up quite a storm, with many royal enthusiasts expressing their disappointment and confusion over the depiction.
The piece, created by British Zambian artist Hannah Uzer, was inspired by a video message from the Princess regarding her battle with cancer.
In the portrait, the Princess is depicted at the First State Banquet of the King’s Reign in 2022, during a state visit to South Africa.
She stands poised and elegant, donning a regal caped white Jenny Packham evening gown adorned with sparkling details on her shoulder, complemented by her signature tiara, the lover’s knot.
Despite the artist’s intentions, the image has faced criticism online, with numerous fans questioning its resemblance to the Princess.
Royal admirers took to social media to express their views, with one commenting, “Sorry, but it looks nothing like the Princess of Wales.
If not for the dress, I wouldn’t recognize her.”
The royal family is no stranger to stirring up headlines, with the Princess herself making a blissful appearance at a church last year, unaware that it would be her final official engagement before her passing.
As the controversy surrounding the portrait continues, artist Hannah Uzer shed light on the inspiration behind the artwork.
The image features a blue-green background, symbolizing the Princess’ eye color and her love for rowing and nature.
Uzer acknowledged the impact of the Princess’ cancer diagnosis video on her creative process, expressing admiration for her dignity and grace as she focuses on her chemotherapy treatment.
In a separate unveiling, a new official portrait of King Charles has also made waves, showcasing the monarch with a butterfly perched on his shoulder.
The painting, crafted by Jonathan Yow, captures the King’s affinity for nature and his transition from prince to monarch.
The vibrant red tones in the portrait have garnered attention, reflecting the complexity of the royal family members’ roles and personalities.
Yow, who worked closely with King Charles during four sittings, emphasized the evolution of the portrait alongside the King’s journey from Prince of Wales to King.
Reflecting on the experience, Yow stated, “It was a privilege to paint His Majesty the King, capturing the life experiences etched into his face as his role in public life transformed.”
These portraits offer fresh perspectives on the royal family, highlighting their multifaceted lives and duties beyond the public eye.
