Meghan Markle is back in the spotlight, but this time it’s not for her royal ties or philanthropic efforts.
Instead, she’s making waves for her debut in children’s literature with the release of her book, The Bench.
However, this venture has sparked more criticism than cheers from literary circles.
Many authors and critics are questioning whether celebrities should step into the world of writing at all.
The Guardian didn’t hold back, labeling The Bench a flop.
Despite the initial excitement surrounding its release in 2021, sales figures tell a different story.
In the UK, only about 8,000 copies have found their way into readers’ hands—a number that falls far short of bestseller status.
Children’s author and poet Joshua Siegel expressed his discontent, pointing out the immense skill and dedication required to craft stories for young audiences.
He remarked, “These celebrities don’t need any more money or exposure, but plenty of genuine writers do.”
It seems Meghan’s royal background may have granted her an easier path to publication, bypassing the hurdles many aspiring authors face.
Reports suggest she received a staggering £500,000 for this 40-page work, a sum some have cheekily deemed excessive for what resembles more of a pamphlet than a full-fledged book.
Aspiring author James A. Leon shared his struggles, recounting the 180 queries he sent out, only to be met with rejection after rejection.
Meanwhile, Meghan’s connections allowed her to glide into the literary scene with little resistance.
Catherine Rundell, another author frustrated by the trend, voiced her concerns about celebrities attaching their names to ghostwritten children’s books.
She likened it to an artist claiming credit for a painting they didn’t create, emphasizing that such practices undermine genuine talent and muddy the waters for authentic children’s literature.
While marketed as a children’s book, Meghan described The Bench as a heartfelt gift to Prince Harry on his first Father’s Day.
Critics argue that the concept feels more suited for a personal memento than a story meant for kids.
Although the book touches on father-son relationships, many believe it fails to resonate deeply with its intended audience.
For those seeking a captivating read for children, titles like The Fox Who Stole the Moon might offer a more engaging experience.
Adding fuel to the fire, there are whispers that Meghan’s team engaged in creative financial strategies to boost sales figures.
Reports indicate that a significant purchase was made by the Archule Foundation, with the intention of donating copies to schools and libraries.
This move raised eyebrows, as it effectively inflated sales numbers while providing the foundation with charitable credit.
During a recent school visit in New York, parents were also encouraged to buy copies for their children, further intensifying the backlash against Meghan’s literary endeavor.
The Irish Times gave The Bench a rather scathing review, including more quotes from the book than actual critique, making it a must-read for all the wrong reasons.
During one school appearance, Meghan even read from The Bench, adorned in high-end attire and jewelry.
For some, this image felt disconnected from the reality of the students, who likely cared more about recess than her dramatic delivery.
Despite embracing her new title as author, Meghan Markle‘s foray into the literary world has been met with skepticism from those well-versed in the craft.
Related Stories
